Like an expertly cut gemstone that catches the light, Daydreams of an Octopus & Other Stories is a dazzling homage to the teaching tales contained in the great treasury of A Thousand and One Nights.
Written to be appreciated in innumerable ways and on many levels, this elegant collection is designed to be read and reread – for only then will the volume’s magic come alive.
Regarded as one of the foremost storytellers of the age, Tahir Shah believes that tales – whether ancient or contemporary – have the ability to help us perceive the world around us with new clarity and with fresh eyes.
The author of more than fifty books embracing fiction, fantasy, travel, and academic research, Shah is descended from a long line of storytellers. His father – the Sufi thinker Idries Shah – revealed life lessons to him through stories, explaining that folktales are a repository of ancient knowledge that forms an instruction manual to the world.
For a thousand nights, ruthless King Shahriyar weds a new bride at dusk, only to have her executed the following dawn. Fearing for their lives, the kingdom’s young women are in hiding, or have already fled.
A request arrives for Scheherazade, the wise and beautiful daughter of the chief vizier, to be married to the cruel and cold-blooded king. But rather than flee, she accepts the invitation.
Having received instructions from the friendly Blue Witch, Scheherazade is wed to the king. In the royal apartment, an hourglass is turned, the falling grains of sand marking the last hours of her life. Rather than resigning herself to fate, Scheherazade does something none of the other brides dared to do…
She begins to tell a story.
Casting a pinch of magic dust into the brazier, the tale she spins comes to life in the fire’s flames. At first, all is well, and the king is amused. But, suddenly, the story goes awry – thrown off-kilter by a spell cast by King Shahriyar’s own magician.
Scheherazade finds herself magically transported to a distant desert caravanserai, where she is joined by three others – Sindbad the Sailor, Aladdin, and Ali Baba. The lives of all four depend on getting the story back on track. And the only way to do that is to locate the story’s seed – the seed of The Thousand and One Nights.
A fabulous tale of mystery, magic, and a daring quest, The Arabian Nights Adventures throws together the main protagonists from the greatest and most important collection of stories ever assembled.
An award-winning writer, storyteller, and expert in The Thousand and One Nights, Tahir Shah brings the ancient treasury of tales to life in a vibrant new way, recalibrating it for the time in which we live.
As a child living in the English countryside, a constant stream of people turned up at Tahir Shah’s family home, all in search of his father – the writer and thinker Idries Shah. Among them were literary giants, including the classicist Robert Graves, Nobel laureate Doris Lessing, and the celebrated American novelist, J. D. Salinger.
On one occasion when Salinger had just departed, Tahir asked why the author of The Catcher in the Rye wrote books at all. His father responded by saying: ‘Salinger writes because if he stops he’ll turn to stone.’
Inspired by this quote, The Reason to Write is an account of Tahir’s journey through the trials and tribulations of what it is to be an author. Describing the ins and outs of the literary world by charting his own experiences, Tahir calls into question the established norms of a publishing system most of us take for granted.
A book of exceptional insight, The Reason to Write is packed with tips for budding authors, examples of what has worked and not worked, and an appreciation of how best to navigate the ever-turbulent waters of the literary trade.
The overriding message of this often-hilarious literary cornucopia is simple: authors should write for themselves, and keep control – which means never selling out, no matter how appealing the lure.
As a bestselling writer, whose forty or more books have been translated into dozens of languages the world over, Tahir Shah is regarded as one of the most original authors working today. The Reason to Write established him as a preeminent expert on the literary arts, as well as a forecaster of the fast-changing landscape of things to come.
It all began with a little black seed – the seed of a watermelon.
Yahya, the self-styled ‘Melon King’, presented it to Tahir Shah one day, urging him to plant it in the courtyard garden of his home, the Caliph’s House.
The seed was duly planted, watered, and tended lovingly.
Eventually it began to grow…
First sprouting into a little green shoot, then into the beginnings of a plant, and at last giving birth to a watermelon.
As the fruit grew and grew, the Melon King imparted a line of secret advice: Tell stories to the melon… stories about melons.
Uncertain what stories to recount, Shah took to his desk and wrote a manuscript of tales to be told to the melon – a manuscript which, with time, became this book.
In all probability the only book of stories ever written in awe and devotion to a melon, Tales Told to a Melon is a work of the purest imagination…
…and affection for the finest melon that ever lived.
The first book in Tahir Shah’s trilogy of Nasrudin stories, The Misadventures of the Mystifying Nasrudin builds on his highly acclaimed travelogue, Travels With Nasrudin.
Having been raised in a household in which the wise fool of Oriental folklore was regarded both as an honorary member of the family, and as a problem solver par excellence, Shah was encouraged from an early age to regard the world around him through the lens of Nasrudin’s humour.
This collection of hilarious original stories – charting the globetrotting travels of Nasrudin from Seattle to Samarkand, and from Cairo to Bangkok, turns the world inside out and upside down.
Nasrudin and the Shadow
‘So, are you travelling alone?’
‘Oh no,’ Nasrudin responded, ‘I’ve got Anwar with me.’
‘Who’s Anwar… your son?’
‘No, my shadow.’
‘But a shadow isn’t a person… so it can’t have a name.’
The wise fool shrugged.
‘What is there to say that a shadow can’t have a name?’
‘They just don’t.’
‘Maybe not here in Turkey, but they do where I’m from.’
‘Really?’
‘Yes. In my homeland all the shadows have names.’
‘So, tell me, what’s the population of people in your country?’
Nasrudin narrowed his eyes.
‘With or without shadows?’ he asked.
The second book in Tahir Shah’s trilogy of Nasrudin stories, The Peregrinations of the Perplexing Nasrudin follows hot on the heels of The Misadventures of the Mystifying Nasrudin, and the highly acclaimed Travels With Nasrudin.
Although uproariously funny, Nasrudin tales are regarded as complex psychological machineries in their own right – the kind of tales that have simultaneously provided laughter and problem-solving for centuries across Oriental lands.
A random selection of Nasrudin’s travels – through the Americas, Europe, Africa, and Asia – The Peregrinations act on many levels, providing wisdom, humour, and a full inside-out recalibration of the mind.
Sharing the Grey Matter
Wherever Nasrudin went, droves of hippies were set on making him into a guru.
They pleaded for him to tell them to turn on, tune in, and drop out.
In response, the wise fool begged the would-be followers not to rely on him, but instead to think for themselves.
Why should we think for ourselves, O Master,’ one would-be devotee asked, ‘when you will think for us?!’
Nasrudin tapped the side of his head.
‘I would if I could,’ he replied. ‘But, believe me, there’s not enough grey matter up here for me, let alone to share among all of you.’
The third book in Tahir Shah’s series of Nasrudin stories, The Voyages and Vicissitudes of Nasrudin builds on the foundations laid down by The Misadventures of the Mystifying Nasrudin and The Peregrinations of the Perplexing Nasrudin, completing the trilogy. In turn, the three volumes of Nasrudin tales are underpinned by Shah’s celebrated travelogue, Travels With Nasrudin.
Part of an ancient hybrid of ‘foolish wisdom’, Nasrudin tales have been relied upon for centuries, as a way of freeing the mind from existing preconceptions and entrenched ways of thought. Regarded by many as psychological puzzle-tales, the jokes featuring the wise fool of Oriental folklore are told and retold in teahouses, office blocks, and ordinary homes – from Casablanca to Canton.
In No Time
During his adventures in Iraq, Nasrudin was found spouting his usual blend of nonsense in the north of the country.
As they didn’t have many wise fool travellers passing through, the people of Kirkuk developed an interest him. It wasn’t long before he was invited on the local television channel, to talk about his life and adventures.
During the appearance, Nasrudin was asked how much time he planned to spend in Iraq. He looked flummoxed at the question.
‘But everyone knows that time doesn’t exist,’ he said.
The interviewer flinched.
‘Of course it does.’
‘No it doesn’t.’
‘Well, if time doesn’t exist, why are you wearing a wristwatch, which appears to be set to the correct time?’
Nasrudin swished a hand through the air, as though the question was beneath him.
‘I said time does not exist,’ he said curtly. ‘I never said wristwatches don’t exist!’
This fourth book of Nasrudin tales from the acclaimed storyteller, Tahir Shah, concerns the trials and tribulations of the inimitable wise fool’s life in the Land of Fools.
Some Nasrudin stories are overtly hilarious, while others are downright odd, yet all of them get the listener’s brain working in new ways.
For a thousand years, stories such as these have been relied upon – from Morocco in the west, to China in the east – to impart wisdom, while challenging conventional thinking.
Genius Machine
Nasrudin invented a device to turn fools into geniuses, and geniuses into fools.
As word of the machine spread, Foolslanders hurried to the capital and stood in line.
Paying their money, some of the dimmest fools in existence became geniuses in the blink of an eye.
But, one at a time, the geniuses queued up again to be turned back into fools.
Nasrudin asked one of them why he wanted to be turned back.
‘I always wanted to be a genius,’ he said, ‘but now I have experienced it, I realize it’s so much less exhausting to go through life as a fool.’
The wise fool of Oriental folklore, Nasrudin is known across a vast swathe of the globe – from Morocco in the west, to Indonesia in the east.
Appearing under different names and in all manner of guises, he’s universally admired for his back-to-front brand of genius – so much so that at least a dozen countries insist he was one of them.
In reality, he is of course found everywhere – even in regions where he has no name.
Tales of Nasrudin’s wise-foolery have been told in caravanserais and teahouses since ancient times, just as they are recounted in cafés, office buildings, and homes the world over today.
In the Land of Nasrudin, the wise are foolish and the foolish are wise. Leading us through a keyhole into a realm that’s back-to-front and inside-out, the stories turn what we think we know and understand on its head.
At the same time, Nasrudin tales form a cornerstone in an ancient and advanced psychology. As you laugh at the off-beat humour, the subconscious turns the puzzle-joke around, working away at it like a terrier worrying a rag doll.
Tahir Shah was first introduced to Nasrudin by his father – the writer and thinker – Idries Shah. In his childhood, and in his travels, the wise fool has provided a lens through which Tahir has perceived the world.
As he says, ‘By training my attention to the methods of the wise fool, I have found new dimensions reveal themselves to me – both in lands I thought I knew, and in fresh dominions.’
A remarkable work of exploration through human culture, and an observant self-examination, Travels With Nasrudin is unlike any other work of the travel genre published in recent times.
Oddball and loner Oliver Quinn was raised by his uncle, the proprietor of New York’s most bizarre emporium of Oriental rugs, Ozymandias & Son. Zoned out more than he’s zoned in, Oliver perceives patterns in everything – from fallen autumn leaves in Central Park, to the freckles on a stranger’s face. When his uncle gives him a mysterious paperweight said to have been in the family for centuries – since it was discovered by a farmer on the Mongolian Steppes – Oliver’s life changes in the most extraordinary way.
Gaining entry into the secret Realm that shrouds all our lives, he learns what he imagines to be reality is no more than a fragment of what actually exists. In a multiverse, where every permutation is not only possible but certain, our world is an insignificant backwater. With the veil lifted, Oliver is introduced to a parallel life form with which we share the multiverse… The mysterious and all-powerful race of Jinn. Far from the loveable blue-skinned giants projected by Hollywood, Jinn are capable of wreaking terror on an unknown scale. When they go rogue, as they frequently do, they must be captured. This perilous task is entrusted to the bravest fraternity of warriors in existence – the Jinn Hunters. Stumbling into the secret heart of the Realm, Oliver learns of the Prism. A vast penitentiary fashioned from sheets of impregnable glass, it contains legions of incarcerated Jinn. But, as Oliver soon comes to understand, his arrival is no accident. Having brooded for an eternity – since being imprisoned by King Solomon – the most evil Jinn in all existence has just escaped… Nequissimus. The future of the Realm rests on Oliver Quinn, whose ancestral bloodline is primed to capture the great Jinn, thereby saving not only humanity, but the entire multiverse.
A cross between The Thousand and One Nights and The Men in Black, THE PRISM is the first awe-inspiring novel in Tahir Shah’s much-awaited JINN HUNTER series. Quite possibly the most original book of its age, it lures the reader into a Twilight Zone conjured from pure imagination.
Oddball and loner Oliver Quinn was raised by his uncle, the proprietor of Ozymandias & Son, New York’s most bizarre emporium of Oriental rugs.
Through a series of what he believes to be coincidences, Oliver discovers a portal in the basement of the shop – a portal to a magical world called Zonus.
Gradually, Oliver begins to understand that everything he’d ever considered fact is fantasy, and that if he is to survive, he’ll have to start thinking in an entirely new way.
In reality, our world is nothing but a backwater in a colossal multiverse, where every permutation is not only possible, but certain. With the veil lifted, Oliver is introduced to the parallel life form with which we share the multiverse – the mysterious and all-powerful race of jinn.
Far from the loveable blue-skinned giants projected by Hollywood, jinn are capable of wreaking terror on an unknown scale. When they go rogue, as they frequently do, they must be captured and incarcerated in the Prism, a vast penitentiary. Trapping rogue jinn is a perilous task entrusted to the Jinn Hunters, the bravest fraternity of warriors in existence.
Having been accepted into the Cadenta, the training academy of Jinn Hunters, Oliver is pitted against the gravest new reality: the fact that Nequissimus, the most evil jinn in all existence, has just escaped…
Born into the hallowed ancestry of the Jinnslayers, Oliver Quinn is the only man alive with a chance at defeating the great jinn, and returning him to his cell in the Prism.
A cross between A Thousand and One Nights and Men in Black, THE JINNSLAYER is the second awe-inspiring novel in Tahir Shah’s much-celebrated JINN HUNTER series.
One of the most original books of its age, it lures the reader into a twilight zone conjured from pure imagination.
Oddball and loner Oliver Quinn was raised by his uncle, the proprietor of New York’s most bizarre emporium of Oriental rugs, Ozymandias & Son. Zoned out more than he’s zoned in, Oliver perceives patterns in everything – from fallen autumn leaves in Central Park, to the freckles on a stranger’s face. When his uncle gives him a mysterious paperweight said to have been in the family for centuries – since it was discovered by a farmer on the Mongolian Steppes – Oliver’s life changes in the most extraordinary way.
Gaining entry into the secret Realm that shrouds all our lives, he learns what he imagines to be reality is no more than a fragment of what actually exists. In a multiverse, where every permutation is not only possible but certain, our world is an insignificant backwater. With the veil lifted, Oliver is introduced to a parallel life form with which we share the multiverse… The mysterious and all-powerful race of Jinn. Far from the loveable blue-skinned giants projected by Hollywood, Jinn are capable of wreaking terror on an unknown scale. When they go rogue, as they frequently do, they must be captured. This perilous task is entrusted to the bravest fraternity of warriors in existence – the Jinn Hunters. Stumbling into the secret heart of the Realm, Oliver learns of the Prism. A vast penitentiary fashioned from sheets of impregnable glass, it contains legions of incarcerated Jinn. But, as Oliver soon comes to understand, his arrival is no accident. Having brooded for an eternity – since being imprisoned by King Solomon – the most evil Jinn in all existence has just escaped… Nequissimus. The future of the Realm rests on Oliver Quinn, whose ancestral bloodline is primed to capture the great Jinn, thereby saving not only humanity, but the entire multiverse.
Quite possibly the most original book of its age, it lures the reader into a Twilight Zone conjured from pure imagination.
Through a life cloaked in mystery, Edwardian polymath Hannibal G. Fogg pushed the boundaries of exploration, science and code-breaking – producing feats of unrivalled cerebral dexterity. Hailing from a landed family, Fogg was a confidant to world leaders, a soldier, swordsman, prolific author, inventor, collector, and quite probably the most extraordinary man ever to have lived. But, while such genius won him accolades and fame, it also fanned the flames of envy. Unable to take Fogg’s triumphs any longer, the British establishment sought to have him discredited. His life work was publicly destroyed in what was to become known as the ‘Great Foggian Purge’. Banished from England, he lived out his days in secrecy – before disappearing on an expedition to Manchuria in the winter of 1939. Almost eight decades passed. Then, one morning William Fogg receives a letter from a legal firm in London, claiming he’s the sole inheritor to his great-great-grandfather’s Estate. Knowing almost nothing of his forebear, he takes possession of the single object left in the bequest – a large rusty iron key… the key to a door in Marrakesh. And there begins the treasure trail of mystery, danger and uproar, as William pieces together the clues left for him by Hannibal Fogg. Zigzagging through five continents, the quest reveals how Alexander the Great was never beaten in battle. By completing the life work of Hannibal, William Fogg strives to lift the veil on the Supreme Secret of Man.
First in a series of ground-breaking adventure novels from master storyteller, Tahir Shah, Hannibal Fogg and the Supreme Secret of Man is unlike anything published in recent times. Ten years in the making, it’s as worldly and wise as the indefatigable Hannibal Fogg. By the celebrated author of The Caliph’s House, a TIME Top Ten Book of the Year.
When his stage show goes spectacularly wrong, celebrated magician Harry Singh, a.k.a. The Great Maharaja Malipasse, becomes a laughing-stock and outcast. Having resorted to two-bit performances in the pouring rain on Blackpool Pier, the down-on-his-luck conjurer is talked into travelling to India by his best friend and assistant, Bitu, in an effort to restore their luck.
After twists and turns, the pair find themselves at the Kumbh Mela. Billed as the greatest religious event in human history, it’s teeming with pilgrims and mountebanks, gurus, and godmen. Through a simple misunderstanding, Harry finds himself being attended to by a clutch of earnest devotees. The more he begs them to leave him alone, the more they believe he’s a genuine healer, rather than what he is – a washed-up stage magician.
Before Harry and Bitu know it, they’re running an immensely successful ashram in the sacred city of Varanasi. Their multi-million-dollar operation draws devotees from across India and the world – all of them desperate to get a glimpse of Harry’s new incarnation… His Celestial Highness Sri Omo-ji.
Inspired by true-life events, and at times reminiscent of Monty Python’s Life of Brian, Tahir Shah’s brilliant novella, Godman, is in many ways a cautionary tale. Making use of first-hand knowledge of Indian illusion and magicians (described in his travelogue Sorcerer’s Apprentice), the book holds a mirror to society, questioning why we feel it necessary to venerate certain people, in place of thinking for ourselves.
In a career that has embraced fiction and non-fiction, and bridged West with East, Tahir Shah has frequently commented on his own work – or on that of other authors – in a series of supplementary essays.
For the first time, the dozens of Prefaces, Introductions, Forewords and Afterwords produced by Shah have been collected and published in a volume of their own.
Fascinating for admirers of his literary corpus, the texts illuminate how and why Shah structured each book as he did. Lifting the veil on an author’s thought processes, the collection exposes layers and sub-layers through decades of work.
Additional essays introduce material by other authors, such as the acclaimed and short-lived American adventurer Richard Halliburton, the medieval Arab explorer Ibn Battutah, and the fabulously evocative treatise on Jinn, edited by Robert Lebling.
A treasure trove of thinking, covering a vast spectrum of themes, The Clockmaker’s Box is an irresistible companion volume to Tahir Shah’s extraordinary work.
Eight strangers were clustered around the campfire of the distant caravanserai –– silhouetted, ragged, and ripened by adventure. As the flames licked the darkness, sparks spitting up into the desert’s nocturnal firmament, a traveller cleared his throat and told his tale.
One at a time, each adventurer regaled the others around the campfire with a story. Inspired by the pages of The Thousand and One Nights, the eight tales are woven together to form a magical tapestry of enchanted kingdoms and desert islands, sorcerers and jinns.
First published in special handmade limited editions, this volume of The Caravanserai Stories brings all eight spellbinding tales together in one remarkable collection.
Building on foundations laid down in scores of other published works, these stories recounted at the desert caravanserai have been hailed as Tahir Shah’s finest work.
In 1918, Tahir Shah’s grandfather, The Sirdar Ikbal Ali Shah, published the small volume of ‘poetry in prose’ – Eastern Moonbeams. The book marked not only the beginning of a glittering literary career, but the start of something far greater.
In the century since The Sirdar’s first publication, three generations of the same family have released hundreds of books – the bulk of them bridging West with East.
A Son of a Son comprises a selection of passages from the work of a grandfather, a father, and a son, written over a span of a hundred and one years.
Drawing on shared interests and inspirations, this extraordinary treasury encompasses literature, travel, philosophy, psychology, belle-lettres, and folklore.
As Tahir Shah says in his Foreword:
‘We are merely the newest branches of a tree, the roots of which stretch downward deep into the soil. As I sit here, writing books and thinking about the world, every word I type is connected to every word uttered by my father, my grandfather, and by the generations who came before us.’
In 1918, Tahir Shah’s grandfather, The Sirdar Ikbal Ali Shah, published the small volume of ‘poetry in prose’ – Eastern Moonbeams. The book marked not only the beginning of a glittering literary career, but the start of something far greater.
In the century since The Sirdar’s first publication, three generations of the same family have released hundreds of books – the bulk of them bridging West with East.
A Son of a Son comprises a selection of passages from the work of a grandfather, a father, and a son, written over a span of a hundred and one years.
Drawing on shared interests and inspirations, this extraordinary treasury encompasses literature, travel, philosophy, psychology, belle-lettres, and folklore.
As Tahir Shah says in his Foreword:
‘We are merely the newest branches of a tree, the roots of which stretch downward deep into the soil. As I sit here, writing books and thinking about the world, every word I type is connected to every word uttered by my father, my grandfather, and by the generations who came before us.’
Although Tahir Shah began his writing career with travel literature, in recent years he has embraced the realm of fiction, producing groundbreaking work on an awe-inspiring scale.
His first work within the genre was Timbuctoo, a major foundation stone of historical fiction. A series of trailblazing bestselling novels quickly followed, positioning Shah as a supreme force in imaginary realism, worthy of Borges and Chatwin.
Shah’s fictional corpus includes the first three titles within the Jinn Hunter series – a vast fantastical universe inspired by the realm of A Thousand and One Nights. It also includes Hannibal Fogg and the Supreme Secret of Man, a novel that is as breathtaking in scope as it is in ingenuity.
In addition, Shah’s works of fiction encompass the hilarious trilogy of the wise fool of Oriental folklore, Nasrudin, and a dazzling array of short novels and stories – from the mesmerizing Eye Spy to Godman, and from Casablanca Blues to Scorpion Soup.
The Tahir Shah Fiction Reader includes chapters from:
Eye Spy
Godman
Casablanca Blues
Hannibal Fogg and the Supreme Secret of Man
Jinn Hunter: Book One – The Prism
Jinn Hunter: Book Two – The Jinnslayer
Jinn Hunter: Book Three – The Perplexity
Casablanca Blues: The Screenplay
Paris Syndrome
Scorpion Soup
Timbuctoo: The Screenplay
Tales Told to a Melon
The Arabian Nights Adventures
The Misadventures of the Mystifying Nasrudin
The Peregrinations of the Perplexing Nasrudin
The Voyages and Vicissitudes of Nasrudin
Timbuctoo
Over the last thirty years, Tahir Shah has roamed the farthest limits of the world, and produced a stupefying body of travel literature, embracing a cornucopia of quests.
He has sought out the so-called Birdmen of Peru, studied magic with the godmen of India, searched for the mysterious lost city of the Incas, and for the fabled lost treasure of Mughal India.
Shah has noted that seeking out the hidden underbelly of the lands through which he travels is centrally important to him. The themes of zigzagging adventure, spontaneity, and walking a path that’s utterly original are found throughout his travelogues.
As far as Shah is concerned, ‘Travel itself is not only the destination, but the greatest teacher, confidant, and friend. Forward movement enables a mysterious kind of alchemy to occur, in which the mind is freed from the restrictions and biases of daily life.’
Wide-ranging in scope, The Tahir Shah Travel Reader contains full-length chapters from many of the bestselling books that have made Shah’s name. They include chapters from:
Beyond the Devil’s Teeth
House of the Tiger King
In Arabian Nights
Journey Through Namibia
Sorcerer’s Apprentice
The Caliph’s House
Three Essays
The Clockmaker’s Box
Trail of Feathers
Travels With Myself
Travels With Nasrudin
A titan of the Victorian age, Sir Richard Francis Burton was a scholar, linguist, explorer, and swordsman – and was feted as one of the most important British polymaths ever to have lived.
Having spent much of his adult life in Arabia, Burton was deeply fascinated not only by the dialects and folklore of the region, but also by lesser known points of culture – of the kind regarded as absolutely scandalous in the moralistic drawing rooms of polite Victorian society.
In the last decade of his life, Sir Richard hunkered down, and made a fresh translation of Alf Layla wa Layla, The Thousand and One Nights – publishing it in the longest and most eccentric edition ever known.
Running to seventeen weighty volumes and released by private subscriptions so as to circumvent the strict laws of decency, Burton’s Arabian Nights contained thousands of footnotes. So as to make the outrageous subject matter a little less apparent, many were couched in exceedingly abstruse language.
A work of art in their own right, these beguiling annotations offer a dazzling insight into Arabian society, as well into the idiosyncrasies of Sir Richard’s own mind.
Preoccupied as he is with The Arabian Nights, bestselling author Tahir Shah set himself the task of distilling a selection of the most intriguing footnotes down into a single mesmerizing volume.
Taking its title from an especially curious note on the possibility of achieving coital congress with a crocodile, this collection is a work of wonder, and is set to be as greatly appreciated as Burton’s monumental translation of The Thousand and One Nights.
Celebrated as an author of travel and fiction, Tahir Shah has published more than forty books in a career that’s spanned three decades.
In that time he’s turned his hand to many kinds of writing – from journalism to novels, and from travelogues to cultural research.
Until now he has never published work written for the screen.
‘I’m a believer that if you’re a writer you have a duty to experiment,’ he says, ‘in the same way an artist explores differing mediums – whether they be pencil, charcoal, oil, watercolour, murals, or collage. That’s why I pushed myself to learn the craft of writing for the screen, which couldn’t be more different than book writing.’
Timbuctoo: The Screenplay follows the narrative of Shah’s acclaimed novel, Timbuctoo. Mesmerizing in scale and scope, the story draws the reader into the vast expanses of the Sahara, and through the rigid folds of English society at the height of the Regency.
A tale of survival against all odds, Timbuctoo: The Screenplay charts the extraordinary true-life story of an illiterate American sailor, Robert Adams.
Shipwrecked on the western coast of Africa in the year 1810, he was captured by Moors, stripped naked, enslaved, and eventually presented as a gift to the King of Timbuctoo.
After years of trial and tribulation in the Great Sahara, Adams is redeemed and makes his way to London.
Nonchalant at having reached the greatest prize in all exploration, his story captivates society, while horrifying the disdaining English elite.
From the Introduction:
An image had rooted itself in my mind.
That of an ingenuous fresh-faced American arriving at Casablanca’s airport at the start of a mid-life crisis.
I could see him clearly.
Dressed in a crumpled old Burberry raincoat and fedora, he was a clone of Humphrey Bogart of Rick’s Café Americain.
Each night before I drifted off to sleep, I allowed myself to imagine the adventures of the Casablanca-obsessed visitor.
Within a week or so I had an entire storyline planned out.
Drilling down into the dark side of Morocco’s seething modern metropolis, it exposed the subculture of speakeasies, gangsters, corruption, and vice – a realm inspired by Hollywood’s own take on Casablanca.
I’m a book writer through and through, but believe writers should experiment, and so try my hand at screenplays from time to time.
Writing movies is the absolute opposite of creating novels. Book writing is all about lavishing one’s readers with sumptuous descriptions, and developing a story through a long, dependable text. Screenwriting is a case of less definitely being more. It’s the nouvelle cuisine of the writing business. Use a single word more than is needed, and you’re guilty of the most terrible crime.
My hope is that in publishing Casablanca Blues: The Screenplay, I’ll encourage other writers to free themselves from the rigidity of a single genre… to question how they work, and what they work on.
But, most of all, to remember to write for themselves.
With communication faster and easier than it’s ever been, we are better informed than ever about cultures from every corner of the earth. But rather than merely observing other societies – from books, documentaries, and internet sites – award-winning author Tahir Shah believes we must learn about them in a deep-down way.
As he says, ‘Only by studying the ancient methods of cultures that have endured for millennia do we have a hope of solving the problems we ourselves face.’
Our society is constantly bombarded with trials and tribulations of all kinds – dilemmas that never existed before globalization propelled us into the frantic ‘hyper zone’ in which we live.
Perhaps most worrying of all is that the predicaments and problems that face us are now endemic in fragile cultures that we have influenced and changed.
The fascinating papers in Cultural Research illustrate a sense and a sensibility that we have lost, but which we can and must re-learn.
Through reading of the experiences of others, we can understand our own society and the challenges it faces – so as to seek answers, not only to our own problems, but to those of the wider world.
During a career of thirty years, Tahir Shah has published dozens of books on travel, exploration, topography, and research, as well as a large body of fiction.
Through this extraordinary series of Anthologies, selections from the corpus are arranged by theme, allowing the reader to follow certain threads that are of profound interest to Shah.
Spanning a number of distinct genres – in both fiction and non-fiction work – the collections incorporate a wealth of unpublished material. Prefaced by an original introduction, each Anthology provides a lens into a realm that has shaped Shah’s own outlook as a bestselling author.
Regarded as one of the most prolific and original writers working today, Tahir Shah has a worldwide following. Published in hundreds of editions and in more than thirty languages, his books turn the world back to front and inside out. Seeking to make sense of the hidden underbelly, he illuminates facets of life most writers hardly even realize exist.
Forty-five million years ago, the supercontinent of Gondwanaland split apart. This created what are now known as India, Africa and South America. The huge landmass was named after the Gond people of India. Meeting a Gond storyteller on a visit to Bombay, Tahir Shah heard their ancient saga. He vowed to visit all three parts of Gondwanaland. As he travelled he met an extraordinary range of wanderers and expatriates, attended magical ceremonies and sought mythical treasures. Shah’s expeditions move through sweltering India and Pakistan, Uganda and Rwanda, Kenya and Liberia, Brazil and finally Argentina’s Patagonian glaciers.
Roughing it for most of the journey, Shah shared his travels and his tales with a diverting mix of eccentric and entertaining characters, from Osman and Prideep, Bombay’s answer to Laurel and Hardy, to Oswaldo Rodrigues Oswaldo, a well turned-out Patagonian version of Danny De Vito.
Blaine Williams lives and breathes Casablanca. He’s trapped in a make-believe world of Bogart and Bergman, of smoke-filled cafés, of fugitives and hit men.
And he’s having a mid-life crisis.
Having lost his girl, his job, and his home, he flees to the one place that’s always provided comfort in times of sorrow and despair – CASABLANCA.
Diving in at the deep end of Morocco’s most misunderstood city, Blaine is sucked down through the many interwoven layers until he hits its bedrock… with a thump! And it’s there that he meets Ghita… a fabulously wealthy socialite, who’s got a plan for him – one laced with intrigue and revenge.
Through an adventure played out in twists and turns, Blaine and Ghita find themselves in a storyline straight out of Humphrey Bogart’s Casablanca.
Hilarious, poignant, and shocking at times, Casablanca Blues lifts the veil on modern Morocco, conjuring a secret realm hidden from travellers and locals alike.
The greatest eye surgeon of his age, Dr. Amadeus Kaine is feted by royalty, dictators, Hollywood, and the international jet-set. An epicurean of sophistication and dark obsessions, he’s devoted his life to locating the perfect food.
While treating one of Central Asia’s most depraved despots, Kaine is given a little pie to eat – a delicacy reserved for guests of the president. It’s the most delicious thing that’s ever passed the surgeon’s lips, and one that has seemingly miraculous effects.
All of a sudden, Kaine finds that his bald patch is growing over with thick black hair, and that his body is healing itself from the inside out. Best of all, he realizes that his mental faculties are stimulated in ways he never believed possible. He can write books in a few hours, learn languages in a matter of days, and effortlessly solve problems from world hunger to global warming.
The drawback is that the dictator’s little pies are prepared with human eyes, taken from convicts working in the opal mines. Horrified that he’s unwittingly become a cannibal, Amadeus Kaine can’t think of anything but getting his hands on some more of the illicit specialty.
Obsessed in particular by green eyes, he begins hunting for victims to satisfy his wayward craving. While perfecting his method, he learns to appreciate the subtleties in taste. As he does so, a terrible affliction strikes – oculosis.
An eye disease that has jumped the species gap from industrialized poultry farming, the virus rips through society, robbing the masses of their sight. The only man who can save the world is the inimitable Dr. Kaine, who is himself on the run.
One of the strangest tales of obsession, mania and intrigue ever told, Eye Spy will quite literally change the way you see the world.
When the Spanish Conquistadors swept through Peru in the sixteenth century, they were searching for great golden treasure. In 1572 they stormed the Inca stronghold of Vilcabamba, only to find the city deserted, burned, and already stripped of its wealth. According to legend the Incas had retreated deep into the jungle where they built another magnificent city in an inaccessible quarter of the cloud forest.
For more than four centuries explorers and adventurers, archaeologists and warrior-priests have searched for the gold and riches of the Incas, and this lost city of Paititi, known by the local Machiguenga tribe as ‘The House of the Tiger King’.
After the lost city obsession had gnawed away at Tahir Shah for almost a decade, he could stand it no more. He put together an expedition and set out into Peru’s Madre de Dios jungle, the densest cloud forest on Earth. He teamed up with Pancho, a Machiguenga warrior who asserted that in his youth he came upon a massive series of stone ruins deep in the jungle. Pancho’s ambition was to leave the jungle and visit a ‘live’, bustling city, so the two men made a pact: if Pancho took Shah to Paititi, then Shah would take Pancho to the Peruvian capital.
House of the Tiger King is the tale of Shah’s remarkable adventure to find the greatest lost city of the Americas, and the treasure of the Incas. Along the way he found himself considering others who have spent decades in pursuit of lost cities, and asks why anyone would find it necessary to mount such a quest at all.
King Solomon, the Bible’s wisest king, also possessed extraordinary wealth. He built a temple at Jerusalem that was said to be more fabulous than any other landmark in the ancient world, heavily adorned with gold from Ophir. The precise location of this legendary land has been one of history’s great unsolved mysteries. Long before Rider Haggard’s classic adventure novel King Solomon’s Mines produced a fresh outbreak of gold fever, explorers, scientists and theologians had scoured the world for the source of the king’s astonishing wealth.
In this book, Tahir Shah takes up the quest, using as his leads a mixture of texts including The Septuagint, the earliest form of the Bible, as well as geological, geographical and folkloric sources. Time and again the evidence points towards Ethiopia, the ancient kingdom in the horn of Africa whose imperial family claims descent from Menelik, the son born to Solomon and the Queen of Sheba. Tahir Shah’s trail takes him to a remote cliff-face monastery where the monks pull visitors up on a leather rope, to the ruined castles of Gondar, and to the churches of Lalibela, hewn from solid rock. In the south, he discovers an enormous illegal gold mine, itself like something out of the Old Testament, where thousands of men, women and children dig with their hands. But the hardest leg of the journey is to the accursed mountain of Tullu Wallel, where legend says there lies an ancient shaft, once the entrance of King Solomon’s mines.
Tahir Shah’s account of his journey in search of the facts behind the fiction is every bit as exciting as Rider Haggard’s.
On the morning of her fifth birthday, Miki Suzuki’s aged grandfather gave her an unusual gift – the fragment of a story. The tale told of a magical realm where all the women were beautiful, dressed in the finest gowns, and where the men had the looks of movie stars. The trees were covered in ivory-white blossom all year round, and everyone was joyful and proud. This place, young Miki learned, was a city in far off Europe – a city called Paris.
The story took seed in Miki’s mind and, over twenty years, she became quite obsessed with the French capital. Having studied its history, language, and traditions, she vowed that one day she would venture there.
Winning a competition at her work, where she sold low-grade beauty products door-to-door, Miki embarked on the journey of a lifetime to her dream destination.
Feverishly excited, and exhausted after a long flight, she hit the ground running, in her desperation to see every last tourist sight in town. But, as the others in the tour group looked on in horror, the telltale signs of a rare condition began to manifest themselves – a condition known as ‘Paris Syndrome’.
Made crazed by a stream of unfavourable events, Miki went on a riotous rampage, which ended in her mooning the sales clerk in Louis Vuitton – an assault that gripped the French nation. And so began the treatment in the most bizarre of clinics – a refuge for fellow sufferers of Paris Syndrome. All this set against a backdrop of vigilante groups, trade wars, bounty hunters, and true love.
Both hilarious and toe-curling, Miki Suzuki’s psychological rollercoaster ride gets under the skin like nothing else, as the novel explores the real condition that afflicts dozens of Japanese tourists each year.
Tahir Shah’s mastery as a storyteller – and his knowledge of both East and West – makes Paris Syndrome a novel touched with real magic – a story within a story that’s worth its weight in gold.
Inspired by a book his grandfather wrote eighty years ago, master storyteller and author Tahir Shah set about creating Scorpion Soup, an intense experience of interlinked and overlapping tales.
Having been raised on stories from both East and West, Shah believes that tales work on numerous levels, subtly influencing the way we see the world, and the way we learn from it. Magical instruments, and secret machineries in their own right, stories are within us all. And, the way we appreciate them, from the cradle is, Shah believes, part of the default setting of Mankind.
Introduced in early childhood to the wonders of A Thousand and One Nights, Shah learned to receive and appreciate complex structures and storytelling devices. These have been used throughout history to pass on ideas, cultural values and information, as well as, of course, to entertain.
Having been inspired by The Nights, especially in the way that one story leads into another, and yet another, Shah used this technique (known as the “frame story”) in Scorpion Soup. An interwoven and intoxicating collection of tales, the book descends down through many layers, as one story progresses into the next, and eventually brings us back to the first.
There is the tale of the Capilongo, a sophisticated bird-like creature that lives in the jungle with sloth-servants, who invites his would-be assassin to dine before allowing himself to be killed. And there is the tale of the Clockmaker who harnesses the soul of a Jinn, in the guise of a hoopoe, and uses it to travel back in time to the realm of Harun Al-Rachid. There is the cautionary tale, too, of the Man Whose Arms Grew Branches, and the story of the Fish’s Dream.
Unlike anything that has been published in the Occidental world before, Scorpion Soup is a rich and diverse feast for the senses, and a book that instructs as much as it does entertain.
India is a land of miracles, where godmen and mystics mesmerise audiences with wondrous feats of magic. In great cities and remote villages alike, these mortal incarnations of the divine turn rods into snakes, drink acid, eat glass, hibernate and even levitate. Some live as kings, their devotees numbering hundreds of thousands; while others – virtually destitute – wander from village to village pledging to cure the sick, or bring rain in times of drought.
As a child in rural England, Tahir Shah first learned the secrets of illusion from an Indian magician. Two decades later, he set out in search of this conjurer, the ancestral guardian of his great grandfather’s tomb. Sorcerer’s Apprentice is the story of his quest for, and initiation into, the brotherhood of Indian godmen. Learning along the way from sadhus, sages, avatars and sorcerers – it’s a journey which took him from Calcutta to Madras, from Bangalore to Bombay, in search of the miraculous.
In Calcutta, Shah is apprenticed to Hakim Feroze, a tyrannical master of illusion, who sets out to crush his student’s spirit through gruelling physical trials. Eventually, his pupil’s skin bruised and raw and his temper strained, the magician unlocks the door to his secret laboratory. The miracles of India’s godmen are at last revealed one by one: how to swallow stones, to stop one’s pulse, turn water into wine, and many more. Next, as a cryptic test, Shah is sent to ferret out the secrets of Calcutta’s Underworld – entering the confidence of the city’s ageing hangman, its baby-renters, and skeleton dealers. Then, just as Shah is making headway, Feroze announces that he’s to pack his bags and set out at once, on a ‘Journey of Observation’.
A quest for the bizarre, wondrous underbelly of the Subcontinent, Shah’s travels lift the veil on the East’s most puzzling miracles. The Journey of Observation leads him to a cornucopia of characters. Illusionists all, some are immune to snake venom, others speak through oracles, or have the power to transform ordinary water into petrol. Along the way Shah witnesses a ‘duel of miracles’, crosses paths with an impoverished billionaire, and even meets a part-time god. Revealing confidence tricks and ingenious scams, Sorcerer’s Apprentice exposes a side of India that most writers never even imagine exists.
First published thirty years ago, The Middle East Bedside Book illuminates lesser-known facets of Arab culture and folklore, presenting the region from the inside out. Considering the observations of writers, artists, philosophers and kings, the book is an invaluable and spellbinding resource. All manner of areas are covered – from the origins of chess as a courtly game in battle strategy, to costume, politics, music, and even the history and folklore of the humble toothpick.
The contribution of Arab knowhow on the world around us is a theme running through The Middle East Bedside Book. Breakthroughs during the so-called ‘Golden Age’ of the Abbasids shaped the technologies we take for granted – whether they be in the fields of mathematics, medicine, or computer science. The treasury offers a cornucopia of unlikely insights – such as the way Chaucer, Shakespeare, Churchill, and many others drew liberally for inspiration from Arab literature.
Perhaps most remarkable of all are the sections of facts and fallacies. King John of England, for instance, supposedly offered to convert to Islam and hand over fealty of his kingdom in return for support from the Moors. The British Museum holds in its collection an eighth-century gold dinar from the rule of King Offa of Mercia, bearing the Arabic inscription ‘There is no God but Allah’, and the eleventh-century Persian poet and philosopher Hakim Sanai propounded theories on dreams and dreaming 900 years before Freud.
Inspired by a true story: In October 1815, an illiterate American sailor named Robert Adams was discovered roaming the streets of London, half-naked and starving. In the months that followed, high society was rocked by his tale.
At a time when the European powers were posturing for empire, there was one quest above all else, one destination to which no Christian had ever ventured and returned alive – Timbuctoo.
Regarded as a golden metropolis par excellence, an African Eldorado, fashioned from the purest gold, it was for centuries a European obsession. The British, Germans, French, and others, dispatched their most capable explorers to seek it out and to sack it. Most of them never returned. The only nation uninterested in the mania for Timbuctoo was the fledgling United States. And so, when a young American sailor claimed to have visited the city as a guest of its king, while a white slave in Africa, it caused uproar on an unknown scale. More shocking still was the sailor’s description of the Eldorado – as a poverty-stricken and wretched place – and the fact that he seemed blasé and uninterested at having been there at all.
Set against a backdrop of the British Regency, a time of ultimate decadence and avarice, of haves and have-nots, Robert Adams’ tale has been all but forgotten, until now.
An astonishing story of survival and hardship, it’s a one touched with irony. A man who had set out to make his fame and fortune through trade, Robert Adams gained both, but by selling the tale of his journey.
Almost twenty years ago, Tahir Shah noticed an inch-thick quarto-sized book propping up a water pipe in the basement of the London Library. Pulling it out, he first set eyes on Robert Adams’ Narrative, published by John Murray in 1816. The book became an obsession to Shah, just as Regency London was itself fixated with the golden metropolis of Timbuctoo. Packed with well-researched detail of the time, and inspired by Adams’ ordeal, Timbuctoo is a fast-past and compelling read. It’s a tale of treachery, greed, love and, above all else, of survival in the face of insurmountable odds.
Enthralled by a line from the chronicle of a sixteenth-century monk, which said that the Incas ‘flew like birds’ over the jungle, and by the recurring theme of flying in Peruvian folklore, Tahir Shah set out to discover whether the Incas really did fly or glide above the jungles of Peru. Or was the Spanish cleric alluding to flight of a different kind – flight inspired by a powerful hallucinogen?
After gathering equipment in London – and advice, not least from Wilfred Thesiger – the long quest begins. First, to the mountains of Peru and a trek to Machu Picchu, the Incas’ most sacred city. Then on to the mountain city of Cusco and a mysterious island on the great glittering expanse of Lake Titicaca. Picking up clues as he goes, the author’s trail takes him on to the coast and through the desert, to the immense animal-like etchings which form the Nazca Lines, and a remote burial ground for 30,000 mummified corpses. And finally to an epic river journey up the Amazon to discover the secrets of the Shuar, a tribe of infamous savagery living in the deep jungle of the Upper Amazon.
In the course of this journey we learn much about the Spanish treatment of the Incas, about Peruvian folklore and magic, about the great but brief Amazon rubber boom of the nineteenth century, about head-shrinking, shamanic knowledge and plant-based hallucinogens.
Even for a traveller so used to surreal adventures, there are many strange encounters and physical challenges – gruesome but often hilarious – among madmen and dreamers, sorcerers, con-men and jungle experts, before Tahir Shah can at last discover the truth about the Birdmen of Peru.
Travels With Myself is a collection of selected writings by Tahir Shah, acclaimed Anglo-Afghan author and champion of the intrepid. Written over twenty years, the many pieces form an eclectic treasury of stories from Latin America, Asia, Africa, and beyond. Some consider the lives of women in society, both in East and West. The women-only police stations of Brazil, for instance, as well as the female inmates waiting to die on America’s Death Row, or the young widows who clear landmines for a living in northern Cambodia.
More still look at Morocco, where Shah and his family reside in a mansion set squarely in the middle of a sprawling Casablanca shantytown. And, yet more reflect on the oddities and contradictions of the modern world. Such as why, in India each summer, hundreds of thousands line up to swallow live fish; or how the Model T Ford sounded the death knell of lavish Edwardian ostrich-feather hats.
Some humorous, others gently poignant, all the pieces in this book are designed to spark the imagination, and to act as a catalyst for thought. In his introduction, Shah suggests that Travels With Myself ought to be dipped into at random, as a kind of bedside book, or as a companion on a long journey of one’s own.
Tahir Shah’s collection of Three Essays considers aspects of human society and culture that help us to understand both the world around us and ourselves. An extraordinary thought-provoking essay, Cannibalism: It’s Only Meat, is certain to horrify a great many readers, and will leave all who reach the end with a sense of revelation at what is the last taboo. The Kumbh Mela: Greatest Show on Earth considers why so many people stake so much to get to the Kumbh Mela in India, and pledge devotion. He considers the logistical triumph of the vast makeshift tent city, speaks to sadhus, gurus, and to plenty of ordinary folk, and reflects on the role of the Kumbh Mela in the modern world. In his fascinating essay The Legacy of Arab Science, Shah discusses the often-forgotten contribution of the Arabs of the Abbasid Age, reflecting on how their breakthroughs helped shape the world in which we live. The three essays range in length from just under 5,000 words to over 6,700 each.
Writer and film-maker Tahir Shah – in his 30s, married, with two small children – was beginning to wilt under brash, cramped, ennervating British city life. Flying in the face of friends’ advice, he longed to fulfil his dream of finding a place bursting with life, colour, history and romance – somewhere far removed from London – in which to raise a family. Childhood memories of holidaying with his parents, and of a grandfather he barely knew, led him to Morocco and to ‘Dar Khalifa’, a sprawling and, with the exception of its jinns, long-abandoned residence on the edge of Casablanca’s shanty town that, rumour had it, once belonged to the city’s Caliph.
And so begins Tahir Shah’s gloriously vivid, funny, affectionate and compelling account of how he and his family – aided, abetted and so often hindered by a wonderful cast of larger-than-life local characters: guardians, gardeners, builders, artisans, bureaucrats and police (not forgetting the jinns, the spirits that haunt the house) – returned the Caliph’s House to its former glory and learned to make this most exotic and alluring of countries their home.
The Caliph’s House is a story of home-ownership abroad – full of the attendant dramas, anxieties and frustrations – but it is also much more. Woven into the narrative is the author’s own journey of self-discovery, of learning about a grandfather he hardly knew, and of coming to love the magical, multi-faceted, contradictory country that is Morocco.
Shortly after the 2005 London bombings, Tahir Shah was thrown into a Pakistani prison on suspicion of spying for Al-Qaeda. What sustained him during his terrifying, weeks-long ordeal were the stories his father told him as a child in Morocco.
Inspired by this, on his return to his adopted homeland he embarked on an adventure worthy of the mythical Arabian Nights, going in search of the stories and storytellers that have nourished this most alluring of countries for centuries. Wandering through the medinas of Fez and Marrakech, criss-crossing the Saharan sands and tasting the hospitality of ordinary Moroccans, he collected a treasury of traditional stories recounted by a vivid and eccentric cast of characters: from master masons who work only at night to Sufi wise men who write for soap operas and Tuareg guides addicted to reality TV.
Himself a link in the chain of scholars and teachers who have passed such tales down from father to son, mother to daughter, Shah reveals a world and a way of thinking that most visitors to Morocco barely know exist.
On the last day of his life, writer and savant Ikbal Ali Shah posted a brown manila envelope to his son Idries Shah – an envelope containing the ‘Afghan Notebook’. In time, the document was presented to Tahir. And with it, the obsession for the lost treasure of Ahmed Shah Durani was passed on.
The secretive search for the massive hoard of Mughal India – valued at more than $500 billion – took Tahir Shah to all corners of Afghanistan. Crisscrossing what is surely the most dangerous country on earth, Shah pieced together the clues – many laid down more than a century before.
Part detective tale and part treasure trail, The Afghan Notebook is a fast-paced extravaganza of a journey – revealing Afghanistan through its stories and folklore. More than a decade in the writing, it’s been hailed as Shah’s most unusual and dazzling work.
The Caravanserai Stories
Inspired by the works of Tahir Shah’s grandfather, The Sirdar Ikbal Ali Shah, the eight Caravanserai Stories are presented in an extremely special limited edition.
Assembled entirely by hand, and with accordion bindings, the stories have been made possible through private subscriptions.
Limited to just 125 copies, each story is signed and numbered.
Very few of these special editions are still available. To enquire about availability, please email:
sian@secretum-mundi.com
Inspired by a book his grandfather wrote eighty years ago, master storyteller and author Tahir Shah set about creating Scorpion Soup, an intense experience of interlinked and overlapping tales. Having been raised on stories from both East and West, Shah believes that tales work on numerous levels, subtly influencing the way we see the world, and the way we learn from it. Magical instruments, and secret machineries in their own right, stories are within us all. And, the way we appreciate them from the cradle, is, Shah believes, part of the default setting of Mankind. Introduced in early childhood to the wonders of A Thousand and One Nights, Shah learned to receive and appreciate complex structures and storytelling devices. These have been used throughout history to pass on ideas, cultural values and information, as well as, of course, to entertain. Having been inspired by The Nights, especially in the way that one story leads into another, and yet another, Shah used this technique (known as the frame story) in Scorpion Soup. An interwoven and intoxicating collection of tales, the book descends down through many layers, as one story progresses into the next, and eventually brings us back to the first. There is the tale of the Capilongo, a sophisticated bird-like creature that lives in the jungle with sloth-servants, who invites his would-be assassin to dine before allowing himself to be killed. And there is the tale of the Clockmaker who harnesses the soul of a Jinn, in the guise of a hoopoe, and uses it to travel back in time to the realm of Harun Al-Rachid. There is the cautionary tale, too, of the Man Whose Arms Grew Branches, and the story of the Fish’s Dream. Unlike anything that has been published in the Occidental world before, Scorpion Soup is a rich and diverse feast for the senses, and a book that instructs as much as it does entertain.
For centuries, the greatest explorers of their age were dispatched from the power-houses of Europe London, Paris and Berlin on a quest unlike any other: To be the first white Christian to visit, and then to sack, the fabled metropolis of Timbuctoo. Most of them never returned alive. At the height of the Timbuctoo mania, two hundred years ago, it was widely believed that the elusive Saharan city was fashioned in entirety from the purest gold everything from the buildings to the cobble-stones, from the buckets to the bedsteads was said to be made from it. One winter night in 1815, a young illiterate American seaman named Robert Adams was discovered half-naked and starving on the snow-bound streets of London. His skin seared from years in the African desert, he claimed to have been a guest of the King of Timbuctoo. Thought of an American claiming anything let alone the greatest prize in exploration was abhorrent in the extreme. Closing ranks against their unwelcome American guest, the British Establishment lampooned his tale, and began a campaign of discrediting him, one that continues even today. An astonishing tale based on true-life endurance, Tahir Shah’s epic novel Timbuctoo brilliantly recreates the obsessions of the time, as a backdrop for one of the greatest love stories ever told. This is a limited edition hardback, very very high spec, and designed along the lines of the travel books of two centuries ago. It weighs 2 kilos (almost 4.5 lbs), has fabulous marbled endpapers, a silk bookmark, a pouch at the rear with inserts, and six huge fold-out maps. The paper is wood-free, and the cover embossed with raised gold type. In addition, each copy contains the clues needed to begin a treasure hunt that could result in locating one of four golden treasures of Timbuctoo. The book is a thing of extraordinary beauty, and the kind of book that will last two hundred years or more.